If you already have a colour scheme in mind, uplighting can subtly echo those tones to bring the room together as a cohesive whole. Where no scheme exists, neutral shades such as warm white, soft amber or gentle ivory provide an elegant foundation that suits most venues and photographs beautifully.

Lighter tones feel open, soft and romantic, while deeper colours add richness and draw attention to architectural features. There’s no right or wrong choice – only what best supports the atmosphere you want the room to hold before the night unfolds.

When uplights are hired on their own, they’re typically used as a static décor feature left to enhance the room throughout the evening. This approach keeps the space cohesive and understated, particularly during arrivals, dining and conversation.

When I’m DJing, uplighting becomes part of a live lighting system.

As the night transitions from seated moments to dancing, uplights move, flash and react alongside the dancefloor lighting to build energy and highlight key moments.

At that stage, the focus isn’t on preserving a colour palette. It’s on atmosphere, momentum and impact. The lighting shifts with the music, helping to lift the room and fully immerse guests in what’s happening on the floor.

Both approaches are intentional.
They’re simply designed for different moments of the same night.